House of Marley’s The Get Together: Kingston Sound System

Growing up in England during the 1990s, filmmaker Wonford St. James spent many nights dancing in the field to the rhythms of a backyard-styled “free party.” A music lover, James studied these English parties back to its roots and instantly fell in love with the Jamaican sound system culture that eventually migrated to the UK in the ’60s. “Anyone who has ever danced in front of large banks of speakers to music being played by a DJ can thank Jamaican sound systems for that experience.” The impact this genre of music had on the world was felt far and wide, from having a hand in the birth of American hip-hop to inspiring audio purveyors to deliver louder, more portable speakers. So when the New York-based creative was asked to produce a video coinciding with the launch of House of Marley’s new Get Together Bluetooth speaker, James immediately decided to visit Kingston. In his short piece, Albert “iLawi” Johnson – regarded as the original selector – becomes our host through this sound system experience, which is a journey to a simpler, more peaceful time. Be sure to also scroll down to read our full interview with the talented Wonford St. James.

For more on House of Marley’s Get Together Bluetooth speaker as well as how you could win your very own, please visit here.

Can you introduce yourself?

My name is Wonford St. James and I am a filmmaker living in New York by way of London and Los Angeles.

How did you get into filmmaking?

Through a love of photography, music, cameras, art and life.

What was the goal behind your video?

We went to Jamaica to promote a dance and film it. I wanted to celebrate original Jamaican soundsystem culture and share a glimpse into the source of DJ culture. Jamaican music has had a massive, disproportionate, and well documented impact on global popular culture but the role of the soundsystem in the rise of reggae is not as well told. Anyone who has ever danced in front of large banks of speakers to music being played by a DJ can thank Jamaican soundystems for that experience. I want to shine a little light on the original dancehall scene and the energy, style and attitude that goes along with it.

What was your inspiration?

Growing up in England in the ’90s I spent a lot of time dancing all night in fields at “free parties,” so I’ve had traces of sound systems in my blood from an early age. As British house music evolved through that decade, I got heavily into the Jungle scene that blew up coming out of the early rave days. Jungle added the core ingredients of Jamaican dancehall into rave culture to create a uniquely British sound and subculture. You had rolling basslines and chopped out breaks bouncing along with MCs toasting over the music. Incredible and inspiring times. Going to Jamaica to make this little film was like a trip to Mecca.

How does House of Marley differ from other brands?

House of Marley has the opportunity to authentically celebrate a man and an island place with one of the world’s greatest musical heritage. Reggae imagery and attitudes have been brandalized far too often through diluted and distorted expressions of the culture. I hope that House of Marley are able to shine a new light on the subject that is creative and constructive.

What are you most excited about with your relationship with House of Marley?

It’s an exciting young brand with a great team behind it. I would love to take this project to the next level and work with the House of Marley team on a longer format film that explores the evolution and journey of sound system culture, from its roots in Jamaica across the world by way of hip-hop, house and heavy bass.

When you were approached about the project, what was the direction given and then how did you approach your execution/interpretation?

We were asked to create a film that spoke to the idea of an idea being shared; how ‘one’ becomes ‘many.’ This brief alongside a portable speaker made of wood with the Marley name on it immediately pointed me in the direction of Jamaica.

How influential has music been in your creative evolution?

Music has been the central part of my life and creative journey. The reason I live in New York is hip-hop.

What was it like traveling abroad? What were some of your favorite moments and what was some adversity you faced?

We were blessed to work with original selector and music man Albert ‘iLawi’ Johnson on this project who graciously welcomed us into his home to keep the dance at his yard. With iLawi as our guide we cut a blessed path through Kingston, uptown and down. My favorite moment was when the needle hit the first record at the dance. The soundsystem crackled and boomed into life and the place started bouncing. Alongside iLawi, we were blessed with a local producer Michelle Serieux who ensured that the only adversity we faced was whether we were going to run out of Red Stripe before the Guinness arrived.

What type of camera did you use for the film?

We shot the film on an old Canon camera using 8mm color film. These cameras are small, compact, and create a texture and warmth that fits perfectly with the story we were there to capture. The records crackle as the film rolls.

How receptive were the locals to being captured on film?

Jamaicans are lively, proud and beautiful people who are happy to get up in your face, so we had no shortage of potential superstars to liven up the dance.

Author: Robert Marshall

*Originally posted on HYPEBEAST

A Look into The Football Concierge

With the end of the World Cup, soccer jerseys are hot on the market. So why not customize your own? By appointment only at the Football Concierge, Nowhere FC can create the kit of your dreams. Located at 100 Forsyth Street, you can play a game of pick up across the street, while your jersey is hot on the press. The House of Marley had the opportunity to go behind the scenes and document the process of customizing a jersey. It was a sight to see, check the photos below. We even got in touch with founder Diego Moscoso (designer for Marc Jacobs and Supreme) and picked his brain about his company.

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1. When did you guys first link up with House of Marley?

We met them through TheGoodlife! who have a creative agency and team in our league; we’ve known them for years through their parties and recently got introduced to House of Marley and some of the sound systems they make we use for our space. Love it so far.

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2. When did Nowhere FC form?

We’ve had a team called Nowhere FC for years in the Bowery leagues and Adidas Fanatic league. We make our own kits and work with a large label company called Avery Dennison who makes a lot of the actual badges for Nike and Adidas, used on the top pro and national team kits. They test and make samples of most of their new sports labels and branding with Nowhere FC and use this to create new ideas for the big brands and clubs for future use. We’ve been doing this for a while and so for World Cup we wanted to put all the things we’ve been making into one space for our fans and friends to touch and get to sample on their own jerseys. So we thought to make a “travel agency” that brings Brasil to NY for the month. it’s called the Football Concierge, taking private appointments at 100 Forsyth next to the Chinatown field that is home to our league and team.

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3. What is the design process before you start to make a jersey?

We appreciate the history of jerseys, and in soccer, there is a long history. For over 150 years clubs from all over the world, beginning in England, have been making variations of their home, away, and alternative kits to wear as a flag for their identity abroad. We follow in this tradition and design our own stuff that tells our story in NY, but also how we see global soccer, a reflection. Our color is Maroon, to symbolize being from Nowhere and the “Maroons” of Latin American colonialism, escaped slaves and runaway indigenous people who made their new nomad colonies for survival, often in the mountain tops. The Spanish word cimarrón was used, meaning like “in the mountaintops”, in reference to the people, ultimately translating and becoming the root word Maroon in english: to be isolated in a remote area, etc. Our process is about telling stories, and for this world cup event we allowed friends and guests to use our menu of graphics to make their own jersey that tells their custom story.

 

 

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4. What is your favorite jersey you have customized?

Each is fun, one on one with people you never know what you will get. I like to be surprised by people and letting them design or customize is where that happens. Better than being in an office any day.

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5. What is the most complicated jersey you have customized?

There have been many over-the-top ideas. the more complicated the better, especially if it’s really ugly. It still looks better than NASCAR.

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6. What makes The Football Concierge unique and stand out against its competitors?

We don’t have competitors. We are just making stuff, don’t know anyone else who makes things in this way. I’d say we are competing with Nike, Adidas, Puma, and Major League Soccer, etc. Competing for the minds of future football fans to follow authenticity and inspire them to create their own identity and not let FIFA or the brands dictate to them what football or style looks like.

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7. Do you plan on expanding the business in the near future?

It’s inevitable I guess. Football is a religion, it’s not my hand that makes these jerseys, it’s the hand of God.

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8. Any dope collaborations from the past?

We made some great kits with Richardson magazine, I think they sell them on their site and store in NY, maybe in Japan. They have a great independent brand model and have been around for awhile in our neighborhood, so it only seemed natural. The visionary behind it, Andrew is a Liverpool man and knows what proper shirts should look like, so I’m happy with the black and white strong look he choose. It compliments our usual fruity-pebbles too much color vibe.

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We’re also making some customizations to some of the Bob Marley track suits re-released by Wear Marley. They basically brought back the iconic styles that Bob wore while playing, so it was fun to see those live again, and then to be able to add our international badges and theme as we think Bob was all about ‘one world,’ and giving these to our friends in NY to wear and personalize was the icing on the cake.

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9. Which staff member is the best soccer player?

Our team is all pretty decent ! Ex-college D-1, or semi-pro, mixed styles. The league we play in is real hard-body-karate these days, getting better all the time and not far from pro, with the influx of people coming to NY from everywhere. So our guys play soccer first and everything else like work and food and silliness comes second. Many of them play in other pro systems or are involved with the pro game on some level. But the Coach is the best overall international playboy, Simonez Wolf, and he’s also a chef so go figure. That’s another story in and of itself.

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Alexander Richter – The Man Behind the Lens

NYC based photographer Alexander Richter has one of the best eyes for capturing your favorite artists in their most natural setting. Photography is one of the most intriguing and populated art forms, but Alexander manages to stay on top. No glitz, glamour or over-photoshopped photos. Alexander uses the right adjustments to make you feel like you were there when the photo was captured. House of Marley was blessed with the chance to pick up some knowledge and gain a better understanding of Alexander’s work. Check out AlexanderRichterphoto.com for an inside scoop.

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How did you link with the House of Marley, and what attracted you to the brand?

I grew up as a fan of reggae and was heavily influenced by Bob’s music. Fast forward to 2012 when I traveled to Kingston for 7 days with a friend of mine to create the photo-based documentary project called SEVENS CLASH. Upon my return I re-connected with Tracy from The House Of Marley and we mutually took an interest in what the other was doing. We had meetings which led to me learning about their amazing audio products, and now here we are.

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How do you deal with an artist or a person that is super camera shy or has the “I don’t want to be here” attitude during a shoot?

I think being personable is one of the best attributes to have as a photographer. In order to make good photos you have to be able to connect with your subject. I tend to work very close to the people I’m photographing, sometimes within inches of their face, so creating a good exchange of energy is critical. It seems obvious, but I’ve had plenty of shoots where the people I am photographing tell me horror stories about working with other photographers who just stay behind the camera and fail to communicate with their subject. Which to me is crazy because it’s that exchange of energy that creates the best photos. So I would have to say it’s critical that if you are having a shoot with someone who is not keen on taking pic
tures that you take some time and just talk with them. Don’t even break out the camera until the vibe is right.   

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What are the top things you consider when location scouting?

Locations are driven by the person that I’m photographing so when I get commissioned to do a shoot I begin to think about the person I am shooting and visualize environments that would complement whomever they are. I like to look for colors, different surfaces (glass, metal, wood), textures, light & shadow. Obviously there are jobs with creative directions which drive a shoot but it’s always good to have an eye out for something different so that you can place someone there and create a shot that wasn’t in the brief.

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With the infiltration of people with digital cameras and Photoshop, how does your photography set itself apart from the masses?

I try not to think about what other people are doing, but if I had to answer it I would say my eyes. No one else sees the world the same way I do and as a result I create photographs that reflect that. I also get my camera into places that other people might be interested in seeing, but aren’t willing to take the risk to make it happen. I have had the opportunity to have access to worlds that not everyone is welcomed to and with those moments I have worked hard to show that experience, whether it was in Jamaica, working with graffiti writers in NYC, or exploring new generations of hip hop artists in Chicago. In addition to that, I take great care in composition, in lighting, and execution of the image at that decisive moment.

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Why do you think companies choose you to do shoots for them over the next photographer?

I think people tend to be attracted to the raw feeling of my work. I don’t do loads of Photoshop to my images. I try to create my images in camera the way that I am seeing them on the print side. And whether you like them or not, they will make you feel some type of way. If they don’t, then I haven’t done my job. I think people also like the fact that I work with different mediums as well. I shoot with a digital 35mm, Polaroid land & passport cameras, 35mm film, and medium & large format film cameras as well. Each camera has its own voice so using a variety of tools helps me create unique images.

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What type of research do you do on an artist or person before you start a photo shoot?

I try to do as much research as possible. I like to know something about each subject I’m working with so that I can start on some sort of equal playing field if possible. I think having different points of communication is key to connecting with your subject so it’s always beneficial to know about who you are working with. I also look at photos that other photographers have made so that I can challenge myself to create work completely different than anyone else.

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When did your interest transition from film to photography?

Well, I went to school for film and at first that’s what I set out to do. Around 2004/2005, I discovered my father’s Hasselblad, began shooting more, and realized that photography was what I was meant to do.

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What is your favorite type of camera?

I don’t have a favorite camera. Whatever camera I have in my hands at the time is the camera that I need.

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Are you more into digital photography or film (analog) photography?

I love it all. They both have their place and I’m grateful to understand and use both.

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Photo Credit: Alexander Richter

Polaroids – Diahann Williams

House of Marley to Donate $100 for any donation made to the Reggae Girlz

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Yes! You read correctly — for ANY and EVERY donation, for ANY amount given, the House of Marley will match with $100. (Until we reach 25k)!

The House of Marley will be matching each donation that is given towards the Reggae Girlz World Cup 2015 Bid. For every NEW donation over the next few days, we will donate $100 for each $1 that is donated.

Referral Contest: In addition to the House of Marley matching your donation, you can also win a House of Marley Get Together Audio System. Using the Indiegogo share tools, send this campaign to as many friends & family as you can. The donor with the most referrals wins the Sound System!

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This campaign is not only for the Reggae Girlz, it is about empowering girls and women from all walks of life through athletics and beyond. Financial burdens should never be a road block in achieving one’s goals and dreams.

Canada June 6th – July 5th, will be the location of the 2015 Women’s World Cup and the next destination for our Reggae Girlz. The Jamaica’s Women’s National Team has partnered with Cedella Marley to raise money for the Women’s World Cup 2015 bid. Want to get in on the action? You can do so by donating through the Reggae Girlz’ Indiegogo page.

We encourage you to donate and spread the word!

For more information please check out the Reggae Girls Indiegogo Page

House of Marley’s The Get Together: AllDayEveryDay

 

For that brief moment when hasty New Yorkers stop in their tracks and turn into spectators fascinated by a group of break-dancing street performers, the Big Apple tastes a bit sweeter. It is this acrobatic art spawned from the Bronx that unites people around the globe with the joys of laughter, wonder and imagination among many others. For the fourth installment of House of Marley‘s video series highlighting its new Bluetooth speaker The Get Together, Brooklyn-based Director Harrison Boyce chose to look into the personalities of these talented dancers. “I wanted to find out if they really loved dance and the trains were their platform to share their talent with the world, or if they were hustlers using dance to make money, and I quickly found out that they have a deep love for dancing and that the money was secondary.” After checking out Boyce’s film, be sure to read through our full interview with the director below.

For more on House of Marley’s The Get Together Bluetooth speaker as well as how you could win your very own please visit here.

 

Can you introduce yourself?

My name is Harrison Boyce and I’m a director and photographer living in Brooklyn, New York.

How did you get into filmmaking?

It all started through BMX. I rode BMX throughout my whole childhood and ended up being a sponsored rider, then working as an art director for a company, as well as starting one of, if not the first BMX blogs called Defgrip. I was always filming and making videos with my friends, but it wasn’t until I started making short docs and creating content for Defgrip that I really started to get into film making. It was just a hobby for me at the time, but once I moved to New York, I started to get a lot more directing jobs and over the years have transitioned from working as a designer in the BMX world to a director focusing on fashion and commercial work.

What was the goal behind your video? What was your inspiration?

Living in New York I pretty much ride the subway every day and kept seeing these kids dancing in the trains. I had thought about doing a project about them, but it was only in the back of my head and I didn’t really have an outlet for it. So, once I started talking with Alldayeveryday about this project with House of Marley, it made perfect sense to put something together with the dancers for this project.

The goal behind the video for me was to find out who the kids were who were the first to start dancing on the trains and to showcase them as people. To share their personalities with the world and tell their story. I wanted to find out if they really loved dance and the trains were their platform to share their talent with the world, or if they were hustlers using dance to make money… and I quickly found out that they have a deep love for dancing and that the money was secondary.

What are you most excited about your relationship with House of Marley?

House of Marley has been incredible with this project because they just let me do my thing and supported my vision 100%. A lot of time brands can really get involved and almost take over the creative process, but the guys at House of Marley essentially laid down the foundation for a dream project and let me do my thing the whole way though with nothing but support. A perfect partnership.

When you were approached about the project, what was the direction given and then how did you approach your execution/interpretation?

Allday approached me, and I asked if I’d be interested in putting some ideas together around the idea of “getting together.” They really wanted to leave it up to the directors to bring ideas to the table, so it was really open as far as the creative goes.

I just worked on a few different ideas around the idea of “getting together” using music as the main ingredient that actually brought people together.

How influential has music been in your creative evolution?

Music has been a huge influence in my work and it really drives my creative process, especially in the edit. I grew up in a musical family and music has always been something that plays a part in anything I’m doing creatively. Specifically with film, music becomes such a big part of telling a story, creating emotions, and setting a flow and an arch… I like to work with the music first, building a foundation to edit on and everything else really falls into place if you have the right music or soundtrack.

Was there any issues with filming on the subway?

I wasn’t sure how it was going to be bringing a Red camera down there, but we didn’t have any problems at all. I’m pretty good with filming in random situations and can just roll with the flow and the Waffle Crew definitely knows the ins and outs of performing on the subways. We tried to keep moving and not stay in one spot too long and I think that definitely helped us not run into any problems.

You’ve worked on everything from commercial films to short films and fashion films – which of the projects would you say is your favorite to collaborate on?

I think my favorite thing is the fact that I’m able to work on so many different types of projects. To me it’s more about the people and the experiences I have making my work, than the specific type of genre I’m working in. I really like to learn about people, explore new places, and basically do anything I can to learn something new each day. So I feel super lucky that I’ve been able to work on so many diverse projects with such a broad range.

Author: Robert Marshall

*Originally posted on HYPEBEAST 

House of Marley’s The Get Together: NYC Lineup

 

As a tribute to its newly released wireless speaker as well as the history of portable audio, House of Marley enlisted four filmmakers to create a video piece that could speak to the very essence of this speaker and its ability to bring people together. For this installment, New York-based director Sam Fleischner explores the impact of music on the life’s of those struggling to exist in the chaotic world of a concrete jungle. Not only does music provide a sense of serenity, but as it is depicted above, it allows people to forget their differences and join hands in celebrating the simpler joys of life. Check out Fleischner’s short film above and be sure to read through our full interview with the director below.

For more on House of Marley’s Get Together Bluetooth speaker as well as how you could win your very own please visit here.

 

Can you introduce yourself?

Sam Fleischner, film director.

How did you get into filmmaking?

Westerns, believe it or not.

What was the goal behind your video? What was your inspiration?

Try to do something fun with the potential of a portable speaker. Dancing is good for health.

How does House of Marley differ from other brands?

Well in terms of making commercials, they were a great combination of supportive and hands off. They were also generous with their product and let me give each of the dancers one of the speakers.

When you were approached about the project, what was the direction given and then how did you approach your execution/interpretation?

This was a lot of fun for me because I got to come to write the concept myself. Usually with these kinds of jobs, the creative comes to you already developed to some extent so it was fun to start with the seed. I had three very different ideas that we were all excited about but we settled in the “line”. This process really picked up steam when I got Cynsei Sohbet on board. We worked out the choreography and flow together. She is a great leader, or in this case, “Rasta-fairy”.

How influential has music been in your creative evolution?

Music is one of my pillars. For this project I worked with my friend Matt Werth at RVNG. He hooked me up with the hypnotic Secret Circuit track that drives the piece.

When you’re not working on big brand campaigns, what sort of passion projects do you like to work on?

I spend a lot of time in my garden, and working on non-commercial feature films like Stand Clear of the Closing Doors.

How did you cast the subjects for this video? Each individual is so interesting because they don’t, at face value, look like they would be dancers yet they all have a strong motion and rhythm. Was that the intention?

Yea, that was part of the concept. Everyone’s got a groove in them but it can be hard to find sometimes.

Where was the filming done? It looks like an abandoned, really sterile bank or something.

It was filmed at Anthology Film Archives, which is sort of like a temple for experimental cinema, but originally the building was supposed to be a court house. They show some of the best film programs in the world there. I worked there as a projectionist when I first moved to NYC, so it was a really fun place to shoot.

 Author: Robert Marshall

*Originally posted on HYPEBEAST 

 

House of Marley’s The Get Together: Kingston Freestyle

When House of Marley recruited PSYOP to reinterpret Bob Marley’s ideals alongside the elegant Get Together Bluetooth Speaker, the character animator-turned-filmmaker looked to his love for dance hall videos and Japanese anime for inspiration. “For The Get Together I wanted to characterize the affect of music and how a good vibe can multiply from person to suddenly a whole block party.” Scored to Major Lazer’s “Watch Out For This (Bumaye),” Ding handed out the bamboo-constructed speaker and captured the infectious free spirit of Jamaica take hold of those around him. After checking out the short film above be sure to read through our full interview with the director below.

For more on House of Marley’s Get Together Bluetooth speaker as well as how you could win your very own please visit here.

 

Can you introduce yourself?

Hello, my name is Gerald Ding I am a Director at Psyop in New York and live in the Lower East Side with my wife and our French Bulldog, his name is Bob.

How did you get into filmmaking?

I started as a character animator and was so focussed on owning a series of shots as my part for a project. To me that was like my first chance at being a storyteller, but I wanted to tell the whole story in my own way and not just a piece of it.

What was the goal behind your video? What was your inspiration?

A lot of times in advertising when there’s a product, brands usually characterize what they’re selling and try to give it a personality. For The Get Together I wanted to characterize the affect of music and how a good vibe can multiply from from person to suddenly a whole block party. I really loved Dance Hall videos and Japanese Anime so I mashed them together this time.

How does House of Marley differ from other brands?

Almost every brand, especially in the beginning, tries to build content for what they’re selling while Marley House is built on the spirit of Bob Marley and Reggae music culture.

What are you most excited about your relationship with House of Marley?

I’m proud that I got to collaborate with Gabe and Tracey, friends I’ve known for years but never had a chance to work with, and on a project that visually encompasses many of my favorite things.

When you were approached about the project, what was the direction given and then how did you approach your execution/interpretation?

The creative brief was very open and trusting, they wanted to know how I’d interpret Bob Marley’s ideals without making him as the focus, and how do we portray one becoming many. I know that Psyop was in this mix since were known for a certain visual storytelling and look, but I wanted push this idea I’ve had going on in my head and see how it’d actually look like.

How influential has music been in your creative evolution?

I love the match cut style in Major Lazer’s Get Free video it’s awesome, so is the song to. When I imagined the 3 stories I wanted to show, nothing else seemed to work so perfectly as Major Lazer did, so we edited with “Watch Out For This (Bumaye)” and couldn’t imagine anything else.

How different is film directing from strictly animating?

It’s a different kind of trust when you’re working with your artists and crew but the storytelling aspect is the same to me. In film I’m collaborating with cinematographers and actors and other crew members that are going to give me a performance that may or may not turn out the way I saw it in my mind. It’s a different kind of collaboration that becomes something different or even better than I imagined it in the beginning. This could be the same for animation also but outcome is much more refined and honed in, basically each frame can be manipulated and I have complete control if there’s enough time

Author: Robert Marshall

*Originally posted on HYPEBEAST

Your Favorite Pop Song with a Reggae Twist

It is difficult to put into words the influence that Reggae Music has on the world. But you can hear it everywhere, from steel drum samples to recorded skits in rap songs from your favorite Kingston drug lord. Reggae music is timeless music, a representation of a culture and lifestyle often mimicked and duplicated. But who doesn’t love a reggae flip of your favorite pop song?  Take a listen to our top 10:

 

Adele – Set Fire To The Rain (Reggae version by Reggaesta)

Beyoncé – Drunk in Love (reggae version by Reggaesta)

Lana Del Rey – Video Games [reggae version]

Wrecking Ball – Miley Cyrus Reggae Remix

When I Was Your Man – Bruno Mars Reggae Remix

Alicia Keys – Girl On Fire (J-Vibe Reggae Remix)

Pharrell Williams – Happy (Cousin Cole Reggae Mix)

Royals –  Lorde Reggae Remix

No Doubt – Don’t Speak (Reggae version by Reggaesta)

Gotye ft Kimbra –  Somebody That I Used To Know Jr GoBlender Reggae Refix

Happy International Reggae Day!

Today is International Reggae Day and The House of Marley would like to encourage you to take your time and appreciate the different sounds of reggae music. Comment below and let us know your favorite reggae tune.

 

 

Jimmy Cliff – World Upside Down

 

Peter Tosh – Rastafari Is

 

Stephen Marley Ft. Damian Marley – Jah Army

 

Barrington Levy – Sensimilla

 

Rebelution – Ordinary Girl

 

Sanchez – Never Dis Man

 

Queen Ifrica – Keep It Your Self

 

Sean Paul – Temperature

 

Skrillex & Damian “Jr. Gong” Marley – Make It Bun Dem ($1 Bin Remix)

Gyptian – Hold Yuh

Costa Rica Shines Bright in World Cup 2014

Costa Rica's national football team

Everyone loves to see the underdog take over the scene, and that is exactly what Costa Rica has done. Our South American friends crushed Uruguay 3-1 to open their World Cup 2014 appearance. A 1-0 win over Italy has set these super stars as the leader in what many considered the the World Cup’s most competitive group, the D bracket (England, Italy, Uruguay, Costa Rica, all former WC champions). With a draw against England (0-0), Costa Rica now moves to the second round with their best performance ever in a World Cup.


House of Marley would like to congratulate our ambassadors Joel Campbell and Yeltsen Tejeda on their amazing accomplishments thus far. We are honored to have these two greats representing our brand — both Campbell and Tejeda were sent off to Brazil with customized Marley Liberate headphones.


Campbell set the pace and scored the first goal for Costa Rica in the 53rd minute which tied up the opening match 1-1 verses Uruguay. Tejeda, a starting midfielder doing what he does best, dominating the field.

 

Joel Campbell Costa Rica v Uruguay

Yeltsin-Tejeda

 

Good luck to Costa Rica and all the athletes representing their countries in the World Cup 2014!

 

tejeda at homecampbell at airporthi-res-8110819b057672a3d83fbaccea519df7_crop_northCR